《道连·格雷的画像》中,道连对画像起初的痴迷和占有欲体现了他的自恋;后来道连对画像充满恐惧,因为画像转变成道连死亡的预兆。根据弗洛伊德的“恐惑”理论,画像充当的正是道连的“复影”。从画像与道连间的“复影”关系解读作品可以清晰地揭示道连一步步堕落并最终走向死亡的全过程。 In his portrait of Dorian Gray, Doll’s initial obsession and possession of portraits embodied his narcissism; then, even his painting was full of fear because the portrait turned into a harbinger of the death of Dodger. According to Freud’s “Theory of Fear,” the portraits that act as portraits are exactly the same. The interpretation of the work from the “complex” relationship between the portrait and the poem clearly reveals the whole process of Dow Jones’ step by step and eventually death.