中国园林山水画自产生到后来发展,都是沉浸在博大精深的传统文化土壤中,自身的绘画形态中体现着东方哲学、文学等多元素文化,其审美追求是意象性的,园林山水画的表现是“写意”的,追求“得意忘象”和“象外之象,景外之景”。中国山水画植根于传统哲学中的意象审美范畴之内意象这个概念,有着悠久的历史,它包含了我们祖先对自然万象的审视精神和思维方式。中国艺术崇尚“天人合一”的审美境界,强调人与自然的同一、间化,注重“意象”美,在表现中将 The landscape paintings in China have been immersed in the extensive and profound traditional culture since they were born and later developed. Their own painting forms embody oriental philosophy, literature and other multi-elemental cultures. Their aesthetic pursuit is imagery, “Freehand ”, the pursuit of “happy forgetting ” and “as the image of the outside, King of scenery ”. The concept of Chinese landscape painting rooted in the aesthetic category of imagery in traditional philosophy has a long history and contains the examination spirit and thinking mode of our ancestors about nature. Chinese art advocates the aesthetic realm of “harmony between man and nature”, emphasizes the unity and interdependence of man and nature, and emphasizes the beauty of “imagery”. In the performance,