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在《读词偶记》中,詹安泰主要以情味来论词:词重情意,“真”心为美;词笔多端,自然为美;品高味厚,真雅为美;词家批评,辩证分析与审美感悟相统一。詹安泰的词学审美观,实际上是对中国传统美学观的回归与时代阐述,是抒情文学“情味”论在20世纪的一种延续和发展。
In “Reading Ci”, Zeng An-tai mainly treats the words with sweet taste: the word has the sentimental meaning and the “true” heart is the beauty; the word pen has many ends and the nature is the beauty; the taste is high and the taste is elegant; Criticism, dialectical analysis and aesthetic perception are united. Zhan Antei’s Ci study of aesthetics is actually an exposition of the return and era of Chinese traditional aesthetics, which is a continuation and development of lyric literature “taste ” theory in the 20th century.