图阿松不会用类似“艺术”、“雕塑”等抽象概念对另一个同样抽象的“建筑”概念发动生硬的攻击。相反,他总是精心调适自己的作品,有选择性地将一个领域内的发展潮流、实践方式和历史沿革与另一个领域对接,由此跳出艺术与建筑之间虚设的直接对立,进而对在两个领域内都激发了充分反响的具体主题进行考察论证。 Touson will not launch a blunt attack on another concept of the same abstract “architecture” with abstract concepts such as “art”, “sculpture” and so on. On the contrary, he always carefully adjusts his own works, and selectively connects the development trends, practices and historical evolution in one area with another so as to jump out of the direct opposition between art and architecture, In both areas have stimulated the full response of specific topics to examine the argument.