对于杨贵妃,我原是有成见的,寻根究源,应怪曹雪芹,他曾在秦可卿卧房的金盘里盛着个“安禄山掷伤太真乳的木瓜”。但北方昆曲剧院演出《长生殿》中的杨贵妃却是德、才、貌俱全的形象。剧作者、导演通过李、杨的悲欢离合,在抒情、绚烂的传奇色彩气氛里,歌颂了“天长地久有时尽,此恨绵绵无绝期”的那种始终不渝、坚贞专一的爱情,努力追求的是故事本身的优美动人。这个故事表现的是爱与恨的交织,长生殿既是爱的天堂,又是爱的地狱。因此,这个戏的总体形象我认为应该 For Yang concubine, I was a preconceived idea, find roots, should blame Cao Xueqin, he had in the Qin Keqin bedroom gold plate filled with “An Lushan throwing too real papaya.” However, the performance of the Kunqu Opera in the north of the Palace of Eternal Youth is the image of Germany, Germany and the whole country. The playwright and director pass through the joys and sorrows of Li and Yang in the lyrical and glorious legendary atmosphere, praising the everlasting and faithful love of “everlasting, sometimes endless, endless hate” The story is beautiful and moving. This story shows the interweaving of love and hate, the temple of longevity is a paradise of love, but also the hell of love. Therefore, the overall image of the show I think should be