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《戏剧旬刊》在民国的戏剧刊物中有着独特的价值和持久的影响,其创办者张古愚是民国上海剧评界的风云人物,本文是第一篇对张古愚和《戏剧旬刊》进行专门研究的论文。《戏剧旬刊》在当时是一种新的戏剧期刊样式,开创了图文并重、以文释图的新模式,引领读者进入了民国戏剧的“读图时代”。作为刊物的灵魂人物,张古愚以一人之力,把刊物从无到有,从小到大,做出口碑,做出影响,一度成为沪上销量最大的期刊。张古愚又是一个独抒己见的剧评家,他的戏剧评论直率而无隐讳,犀利而有态度,严厉而不留余地,不虚美,不世故,堪称民国时期真正独立的剧评人。论文还简要勾勒出张氏的坎坷人生经历,可补戏曲史志之阙。
“Drama Xun Jiu” has a unique value and long-lasting influence in the drama publications of the Republic of China. Its founder Zhang Gu-yu was a prominent figure in the Shanghai drama community in the Republic of China. This article is the first essay dedicated to Zhang Gu-yu and “Drama Xun Jiu” . “Drama Xun Jiu” was a new type of drama periodical at that time, which created a new model of graphic interpretation with the help of both graphic and graphic. It also led the reader to enter the “era of drawing” of the Republican drama. As the soul of the publication, Zhang Guyu used one man’s power to make the publication grow from scratch, from small to large, make word of mouth, make an impact, became the largest sales of journals in Shanghai. Zhang Guyu is another dramatic critic who gives his own views. His dramatic comments are straightforward and unobtrusive. His sharp and unobtrusive attitude is unforgivable and unscrupulous. He is truly an independent dramatist during the Republic of China. The thesis also briefly outlines the ups and downs of Zhang’s life experiences, can make up for the drama history of the Que.