读《致理想读者》,竟会想到“色情”与“情色”之分别,当越来越多的文学批评陶醉于华丽辞藻的意淫,或是以供给“硬货”为名堆砌起“干巴巴”的术语高见时,李敬泽像一位真正的情色大师,重新定义着批评家笔下的“活色生香”。“感觉”是第一位的。关于作家作品的洞见,首先来源于批评家最原初的感官体验,甚至连表达方式本身也是基于感官的修辞。李敬泽的批评,常常像是与作家两三人饮酒唱诗,真知灼见固然重要,但此时更 When reading “To Readers,” we may think of the difference between “pornography” and “eroticism.” As more and more literary criticism becomes intoxicated with the obscenity of fancy rhetoric or supplies “hard goods” As the name suggests “dry”, Li Jingzai, like a true master of eroticism, has redefined the “living color” written by critics. “Feeling ” is the first one. The insights about the writer's work first come from the most primitive sensory experience of critics. Even the way of expression itself is based on the rhetoric of the senses. Criticism by Li Jingze is often like having two or three drinking and singing with a writer. It is important to know what is important, but at this moment,