为什么勃兰兑斯在西方早已被人遗忘,却在中国找到了知音?如果这种命运的巨大反差并非偶然,那么又说明了什么?在评述勃兰兑斯的文学史观和批评方法的基础上,回顾勃兰兑斯在中国的世纪之旅,可以反思近百年来在引进和借鉴西方文学批评方面的经验教训。 Why did Brandyx have long been forgotten in the West but found a familiar voice in China? If this huge contrast of fate is not accidental, then what is the point? In the review of Brandon / Lewis’s foundation of literary history and method of criticism On the review of Brandeis’ century journey in China, we can reflect on the experiences and lessons learned from introducing and borrowing Western literary criticism in the past century.