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这种有意的强弱对比处理,构筑了布塞的影像哲学的核心,也是他试图想传达给我们的,他所理解的莫泊桑的核心——那些早已注定的,铁一般的宿命论。生命是浑圆的,和你相关的一切都在彼此牵扯,你的一举一动,一颦一笑都孕育和昭示着你的未来;你的每一个迟疑积累成你的毁灭,你的每一次惊醒则会汇聚成你的转机。十九世纪最后两个年代,分裂的二十年。旧世界在土崩瓦解,新世界尚在孕育;33岁的莫泊桑在“梅塘”里日渐烦躁,终于完成
This deliberate comparison of strengths and weaknesses sets the heart of Bubus’s philosophy of the image and is the core of Maupassant that he tries to convey to us - the long predestined, ironical fatalism. Life is rounded, and everything related to you are involved in each other, your every move, a smile give birth to and make clear your future; every one of your hesitation accumulated into your destruction, every one of your wake will Gather into your turning point. Twenty years of division in the last two decades of the nineteenth century. The old world collapsed, the new world is still pregnant; 33-year-old Maupassant in “Meitang ” Increasingly irritable, and finally completed