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对“象”的认识由来已久，意象在我国的语言运用中也有深远的渊源，从老子的“道”到《易传》中的“圣人之意象”再到后来的“意中之象”与我们今天所讲的艺术语言理论联系紧密，意象美是艺术语言的精神特质，“立象以尽意”是解决“言不尽意”的办法，亦是艺术语言重要的表意、特点。
The cognition of “Xiang” has existed for a long time. Images also have far-reaching origins in the use of language in our country. From the “Tao” of Lao Tzu to the “image of the saint” in Yi Zhuan and then the “ Closely linked with the art language theory we are talking about today, the image beauty is the spiritual characteristic of the art language. Taking the image as the perfect idea is the solution to the ”imperfect meaning" and the important expression and feature of the art language.