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全球化语境下当代艺术家热衷挖掘现成品中某种未被注意的价值,也让人们开始对艺术品与现成品间的界定标准产生质疑。波普艺术大师安迪·沃霍尔的艺术作品因为充分运用现存品,观念化地复制粘贴而成,完全取消了传统艺术创作的手工操作,创作出极具商业化倾向的作品。本文以具有争议性的艺术品与现存品的界限问题,借鉴本雅明、鲍德里亚及阿瑟·丹托的相关哲学理论视角,对安迪·沃霍尔波普艺术作品价值作进一步的解读、阐析与补充,为如何面对与理解今天的艺术这一命题找到一些理论上的突破口。
In the context of globalization, contemporary artists are keen to tap into some unnoticed value in ready-made products and to start questioning the demarcation of artworks and finished products. Pop art master Andy Warhol’s works of art, made full use of existing products, the concept of copy and paste from, completely abolished the traditional art of manual operation, creating highly commercialized works. Based on the controversial boundaries between the works of art and the existing ones, this paper uses the perspectives of Benjamin, Baudrillard and Arthur Danto to analyze the value of Andy Warhol’s Pop Art , Explain and supplement, find some theoretical breakthroughs for how to confront and understand the proposition of today’s art.