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中国古代山水诗从确立之初就与道家思想有着密切关系,在其从晋宋至盛唐的发展过程中,可以渐次看到道家审美思想在山水诗中的多方面多层次体现。从复归于朴、大制不割的素朴无为之美到乘物游心、以物观物的冥合万有之美,山水诗在表现物理自然、人文自然和境界自然方面都贯彻了道家“玄同”之天人合一审美思想。
Ancient Chinese landscape poetry has been closely related to Taoism since the beginning of its establishment. In the process of its development from Jin and Song dynasties to prosperous Tang Dynasty, the Taoist aesthetic thoughts can be seen gradually in many aspects and in various levels in the landscape poems. From returning to the simple, unprincipled, plain and inhumane beauty to traveling by imagination, with the beauty of all things, landscape poetry implements Taoism in the aspects of expressing physical nature, humanistic nature and realm of nature With the "harmony between man and nature aesthetic ideas.