冯丹的敏感,决定她在艺术表现中出色的一面。这敏感,来自她父亲在她画画和生活中的正确指导,来自她的资质与个性,来自生活资源与细腻感情的撞击。她始终生活在她的世界中,确立对这个世界的态度,实际上就是她对生活的态度,那种充满理想和幻想的心灵,以及由心灵引发的对现实中爱的认同和对爱的超越这种爱,已经由依赖着的爱的庇护演化成进发或压抑着的一种生命的力量,这力量似乎在朦胧中伴随着孤独与希望,在冷静的理性思维中隐藏着私密的激情。那游移中的真实,在真实的游移中闪现着儿时的、少年的、青年的印迹,这印迹是心灵的, Feng Dan’s sensitivity determines her outstanding performance in artistic performance. This is sensitive because her father’s correct instruction in her painting and life comes from her qualifications and personality, from the impact of living resources and delicate feelings. She has always lived in her world, and her attitude toward this world is actually her attitude toward life, her heart full of ideal and illusion, as well as the soul-based recognition of love in reality and surpassing love This love, which has evolved from asylum-loving asylum into a force of onset or repression, seems to be dimly accompanied by loneliness and hope, hiding its intimate passion in calm, rational thinking. That wandering in the real, in the real wandering flashing childhood, adolescent, young imprint, the imprint is the soul,