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本篇论文对现今出现的一种在数字技术培育下新的电影类型—奇观电影进行了宏观且微分析和论述,同时又针对目前学界对技术创设下的景观电影所持的不同观点从不同的角度进行了阐释与评论,并从其中归纳和阐发出作者本身对这种类型电影的看法与观点。在文章中结合了古典文论中的“神与物游”境界说对奇观电影从新的角度展开深入探微,从新的角度下推演出了有别于传统的对奇观电影的观点——把奇观电影作为一种新的叙事形式来进行论述,肯定了技术在电影艺术中的位置以及它在其中所产生的无法替代的作用,使技术在电影叙事中找到一隅。
This dissertation makes a macroscopic and microanalysis of the new film genre - Spectacle Films, which is emerging nowadays under the nurturing of digital technology. At the same time, from different perspectives on the current viewpoints of landscape films under the technology creation, It expounds and expounds the author’s own views and perspectives on this type of movie. In the article, it combines the “god and the physical tour” in the classical literary theory to explore the miraculous film from a new perspective and deduce from the new angle the traditional view of miraculous movies - The movie is discussed as a new narrative form, affirming the position of technology in cinema art and its irreplaceable role in the film industry, making the technology find a clue in the film narration.