人类从生命的初始阶段就本能对于斑斓多姿的颜色以一定的直观感受。在古代,绘画中的色彩运用都略显保守。画色彩时,更多的人是去关注描述对象的造型和光影变化问题,而忽视了对色彩感受的抒发,就是因为他们把一幅色彩画画成了素描画的根本原因所在。这样的理念与不自觉的行为使得很多色彩画看起来很整齐,很真实,却感觉没有什么生机气韵。近代以来,人们逐渐摆脱了传统绘画模式的制约,将画面中色彩的地位提到了一个非常重要的位置。人们的色彩意识得到了更进一步的强化。 Human instinct from the initial stage of life for a variety of multicolored colors with a certain degree of intuitive experience. In ancient times, the colors used in the paintings were slightly conservative. Drawing color, more people are concerned about the description of object modeling and lighting changes, while ignoring the expression of color feelings, it is because they put a color painting has become the root cause of the sketch. This concept and unconscious behavior makes a lot of color paintings look very neat, very real, but no sense of vitality. In modern times, people gradually get rid of the restriction of the traditional painting mode, and put the color status in the picture to a very important position. People’s color awareness has been further strengthened.