本文以裕陵地宫石刻中的图像和梵字为重点,通过分析其在墓室空间内的组织逻辑,探究设计者在特定场所的创作意图和处理手法,归纳出各类元素布局的基本规律和适应性调整。同时,作者阐释了如何在空间、葬仪和宗教信仰等因素的共同作用下,在地宫内构建出一系列仪式性场景,揭示出既具佛殿、佛塔和墓室特征,且具混合性与矛盾性的多样化场所之意义。 This paper focuses on the images and brahmin in Yuling Palace Stone Inscriptions. By analyzing the organization logic in the tomb space, this article explores the designers’ intention and treatment in a specific place and concludes the basic rules and adaptability of the layout of various elements Adjustment. At the same time, the author explains how to construct a series of ceremonial scenes in the underground palace under the joint action of space, funeral and religious belief, revealing the characteristics of both the temple, the pagoda and the tomb, The ambivalent diversity of places meaning.