黑色电影脱离30年代匪徒电影直接具有的社会意义,与40年代后期因某种原因产生的写实主义电影,既互相对立又分别展示出社会不同的侧面。毫无疑问,黑色电影是深受欢迎的,或许是因为它唤醒了一种意识,导致观众开始不信任强大的政治力量操纵的官方花言巧语和虚假的乐观主义。假如黑色电影没有受到更大的冲击,那么,它极有可能继续作为一股稳定的潮流向前发展。 2,然而,40年代得到最高评价的并不是黑色电影,而是日趋增多的现实主义电影和涉及社会问题的电影。这类电影屡屡获得奥斯卡奖或提名,并深受各方好评,居于主流地位。写实主义电影在40年代主要有三种形式。第一种是根据真实事件改编的电影,也有人称之为半纪录片。顾名思义,这是以真实事件为原型的故事片,当时最有影响的有《第九十二条街上的房子》(一九四五)、《飞镖》(一九四七)和《给北边777挂 Black movies, out of the immediate social significance of the movie of the thugs in the 1930s and the realist films produced for some reason in the late 1940s, are not only antagonistic to each other but also show different social dimensions. There is no doubt that black movies are welcome, perhaps because it awakens a sense that leads the audience to begin to distrust the official rhetoric and false optimism manipulated by powerful political forces. If there is no greater impact on the black film, then it is very likely that it will continue to move forward as a stable trend. 2 However, the highest ratings of the 1940s were not black movies, but an increasing number of realist films and films dealing with social issues. Such films have often won the Oscars or nominations, and by all parties praise, living in the mainstream. Realistic movies in the 1940s mainly in three forms. The first is a movie based on real events, while others call it a semi-documentary. As the name suggests, this is a feature film based on real events. At the time, the most influential were the “Ninety-second Street House” (1945), “Dartboard” (1947), and "To the North 777 hang