《放大》表面上讲述的是主人公通过放大照片发现了犯罪的过程,然而他到最后却发现即使是高科技所记录下的画面也未必能使人信服,这颠覆了他以往的观念。该片导演安东尼奥东通过在真实的荒诞中放大真实,重新构建了现实世界,揭示了当时社会所存在的深刻问题,引人深省。安东尼奥尼的《放大》是一部意识流的影片。在影片的开场,始终没有一个明确的叙事主线,只是呈现了街道上、摄影棚里发生的杂乱无章的琐碎事件。然后,突如其来的公园事件作为一个类似侦探 On the surface, the protagonist discovered the process of crime by zooming in on photos. However, he eventually found that even the pictures recorded by high technology might not be able to convince people, thus subverting his previous concepts. The film director Antonio East enlarged the real in the real absurd, rebuild the real world, revealing the profound problems of society at that time, inspiring. Antonioni’s “zoom in” is a stream of stream of consciousness. In the film’s opening, there is always a clear main line of narration, just presented in the streets, studios in the clutter of trivial events. Then the sudden park incident as a similar detective