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中国水彩与时俱进、迅猛发展,传统以“水彩本体语言”为大旗的创作模式,已不能满足许多水彩画家更加自由,宽泛的抒情达意,正如当代油画、国画一样,“观念”成为当代中国水彩中的重要元素,越来越多的水彩画家在画面“肆意”表达自己的内涵气质,人文关怀,精神面貌,画家精神的印记与追求深深刻在画中,对于此类水彩,作者统一称之为观念水彩。本文旨在探讨观念水彩与制约其发展的三大要素:艺术修养,技法,题材之间的关系,从而为观念水彩的发展探明途径。
With the rapid development of watercolor in China, the traditional mode of creation based on “watercolor ontology language ” has failed to meet the more liberal and broad lyricism of many watercolor artists. Just like contemporary oil paintings and traditional Chinese paintings, "Has become an important element of contemporary Chinese watercolor. More and more watercolorists express their implication temperament, humane care, spiritual outlook, impressing and pursuing of painter’s spirits on the screen Such watercolor, the author called unity of concept watercolor. This paper aims to explore the concept of watercolor and restrict the development of the three major elements: the art of cultivation, techniques, the relationship between the themes, so as to explore the ways of conceptual watercolor.