如果从谱系学角度来考察罗振亚先生的诗学批评和研究,我们可以看出,他基本上是对现代主义的一种诗学理论建构。无论是早期对20世纪30年代现代主义诗歌思潮与流派的整体梳理,还是后来对当代先锋诗歌的阶段性总结,他都是以现代主义美学作为自己诗学研究体系的标准。这种研究方式有着鲜明的价值评判烙印,在罗振亚的诗学批评中看似呈现出一种现代主义诗学精神,其实还有很重要的一点,即现代主义作为一种方 If we examine Mr. Luo Zhenya’s Poetic criticism and research from the perspective of pedigree, we can see that he is basically a construction of modern poetic theory. Whether it is the early generalization of the thoughts and genres of modernist poetry in the 1930s or the later summarization of the contemporary pioneer poetry, he takes the modernist aesthetics as the standard of his own poetic research system. This research method has a distinctive mark of value judgments. It seems that Luo Zhenya’s poetry criticism presents a modernist poetics spirit. In fact, there is a very important point that modernism as a side