中国现代女作家从社会派定的传统角色中挣脱出来,在文学中塑造了一系列女性群像。从创作实际可以看出她们笔下的女性角色不是单一的,而是发生了嬗变。冰心一类的作品中出现的是以温情主义为主的温婉、清澈、纯净的淑女;冯沅君、庐隐、丁玲等则从主情主义出发塑造了热烈、绝决、不妥协甚而越轨的叛女;张爱玲、苏青的作品则由女性生存方式和女性生命体验角度出发,努力勾勒出一群心理变态、扭曲的疯女。通过角色的嬗变,我们可以看出其间表现出的女作家关于女性、婚姻、恋爱观的变化,也可以窥见这些各有思想、追求的女作家的作品,不仅在总体上有不同的价值取向,而且在文化内涵及价值意义方面也存在明显的差别。 Chinese modern women writers broke free from the traditional roles assigned by society and created a series of female groups in literature. In fact, the female characters in their works can not be seen as a single reality, but the evolution has taken place. Appeared in Bing Xin ’s works are gentle, pure and pure ladies who are mainly based on warmth; Feng Yuanjun, Lu Yin and Ding Ling, from the perspective of the main emotion, have created a tremendous, absolute, uncompromising and even deviant rebellion Female; Zhang Ailing, Su Qing’s works from the perspective of women’s ways of life and female experience of life, and strive to outline a group of psychologically abnormal, distorted mad girl. Through the transmutation of characters, we can see that the changes of women writers, marriage and love affair during this period can also be seen in the works of women writers who have their own thoughts and pursuits. They not only have different values ​​in general, But there are also obvious differences in terms of cultural connotation and value.