我的恩师翁偶虹先生在他撰写的《翁偶虹编剧生涯》一书中曾提到,他从1927年走向舞台,直到1935年,粉墨登场的机会愈来愈多,以至“月必数起”。“当时的北京观众对于花脸戏,重‘架子’而不重‘铜锤’,最欢迎的流行剧目是《连环套》、《法门寺》、《战宛城》、《阳平关》、《审七长亭》、《取洛阳》等,因此,我演出的戏码也不外此。但我是从兴趣出发,又非以艺谋生,总唱这些戏就觉得腻了,反倒愿意唱《群英会》的黄盖、《四进士》的顾读、《开山府》的严嵩、《回荆州》和《黄 My mentor, Mr. Weng Ouhong, mentioned in his book ”Weng Honghong’s Screenwriting Career“ that he went from 1927 to the stage until 1935, with more and more chances of getting onto the scene, and that ”the moon will count on“. ”The Beijing audience at the time for the show, weight “ shelf ”rather than“ copper hammer ”, the most popular pop repertoire is“ Rim ”,“ Famen Temple ”,“ war Wan city ”,“ Yang Pingguan ”,“ Therefore, I play the game code is nothing more than this.But I am starting from the hobby, but not to make a living, always singing these games feel tired, but would rather sing the ”heroes“ Yellow cover, ”Four Scholars“ Gu read, ”Mountain House“ of Yan Song, ”back Jingzhou“ and ”yellow