论文部分内容阅读
一百多年来,中国经历了巨大的社会文化变革,如今以全然不同的身份角色面对全然不同的世界,这种变革对具有悠久历史的书法艺术产生影响、甚至形成冲击,都不难理解。在新时代、新的社会环境下重新讨论书法精神也非常必要,但在近年来关于书法的诸多争论中,有两种非常明显的心理倾向,实质上妨碍了对时下书法精神的探寻。一、“今不如昔”的怀古心态认为今不如昔,世风日下,以古代的审美标准为准绳,暗含重回古代的心理幻
For more than 100 years, China has undergone tremendous social and cultural changes. Nowadays, with totally different identities and roles, China faces an entirely different world. It is not hard to understand that such changes have an impact on the art of calligraphy with a long history. . It is also necessary to re-discuss the calligraphic spirit in the new era and new social environment. However, in many debates over calligraphy in recent years, two very obvious psychological tendencies have virtually hindered the search for the contemporary calligraphic spirit. First, “This is not as good as the past,” the ancient mentality that this is not as good as the past, the worldly world, the ancient aesthetic standards as the yardstick, implying the return of ancient psychological magic