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清末至民国初年,随着青铜器、书画、瓷器等各种艺术品作伪兴盛,所谓六朝时代的伪造铜、石造像也一时涌现,迎合了文人墨客以及洋人的口味。其作伪方法也不外乎以真品翻模、凭空捏造、移花接木、加刻伪款等。内中在真品佛像上加刻伪款之作伪方法,在笔者此前发表的文章中也举出数例。此后一直留心,至今陆续又有所得,现一并综述如下:
From the late Qing Dynasty to the early Republican China, fake bronze and stone statues of the so-called Six Dynasties erupted as the various works of art such as bronze, calligraphy and painting, porcelain faked and flourished, catering to the tastes of the literati and foreigners. Its pseudo-method is nothing more than a genuine mold, fabricated thin, embellishments, plus carved false and so on. The false method of adding false inscriptions on the authentic Buddha statues inside has also cited several examples in my previous published articles. Since then has been careful, so far one after another income, the current and summarized as follows: