吴著通过对罗忠镕匠心之术的综合探微,作品和“人”的深度观照,使技术、作品和“人”形成了一个学术整体。吴著不仅鲜明地表现出作曲技术研究的理论意义,而且也透射出中国现代音乐研究的史料和史学意义。同时,吴著中理论与技术互动的学术理路,对中国“现代音乐”创作教学亦不失教材性的参考价值。 Through a comprehensive exploration of the technique of ingenuity by Luo Zhong-hong and his in-depth observation of “people”, Wu makes the formation of an academic whole with technology, works and “people”. Wu Zhu not only clearly demonstrated the theoretical significance of the study of composition techniques, but also revealed the historical materials and historical significance of the study of Chinese modern music. At the same time, Wu’s academic approach to the interaction between theory and technology does not neglect the reference value of teaching materials for the creation of Chinese “modern music”.