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中国山水画是传统文化的一种形态,和中国哲学一脉相承。它积多年的进步,屡次变革而成现在的状态。除了笔、墨、纸等工具、材料的特殊性外,在画法理念上有其主流,有其道统,这也是山水画存在与发展的依据。这个依据的核心是山水画一以贯之的思想,即山水画的精神。它的主旨是“天人和一”,既表现作者的胸中丘壑,又反映人在自然中的位置,既能抒发作者的胸臆和情怀,又能反映对生活的感受和理解。它体现生命和灵性在现实世界的价值所在。
Chinese landscape painting is a form of traditional culture, which is the same as Chinese philosophy. It accumulated many years of progress, repeated changes made the status quo. Apart from the particularity of the tools and materials such as pen, ink and paper, there is the mainstream in the concept of painting and its morality, which is also the basis for the existence and development of landscape painting. The core of this basis is the consistent idea of landscape painting, that is, the spirit of landscape painting. Its main theme is “Heaven and Man and One,” which not only show the author’s chest but also reflect the position of man in nature. It can not only express the author’s feelings and emotions, but also reflect his feelings and understanding of life. It embodies the value of life and spirituality in the real world.