北京舞蹈学院袁禾教授在《中国剧场民间舞的“非民间”文化属性》中指出,虽然舞台民间舞的创作历史由来已久,但20世纪80年代末广场民间舞和舞台民间舞的正式提出,终使舞蹈界更加理性地认识到了两者的区别和联系。有的学者将舞台民间舞阐释为演绎性民间舞,代表不是民众自发参与的广场游戏,而是舞蹈家自觉创作的剧场艺术。这类舞蹈创作主要是用既成风格的民间舞动态节律来作为造“意”材料。于是,既成风格的民间舞之 Professor Yuan He from Beijing Dance Academy pointed out in “Non-Folk ” Cultural Attributes of Folk Dance in Chinese Theater, that although the creation history of folk dance is long-standing, in the late 1980s, folk dance of the square and stage folk dance Formally put forward to eventually make the dance industry more rationally recognize the difference and connection between the two. Some scholars interpret the stage folk dance as a deductive folk dance, which represents the square game that is not spontaneously participated by the people, but the theater art that the dancer consciously creates. This type of dance is mainly composed of the established style of folk dance dynamic rhythm to create “Italian ” material. So, both into a style of folk dance