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今年春节档电影《西游·伏妖篇》延续近年来华语古装奇幻电影的制作风潮,以明代小说典籍《西游记》为人物框架依托,施之以三重改编再现:用“爱不得”的主题矛盾替换掉原著内在的宗教冲突和情感逻辑;用技术先导的电脑CG形象对主要人物进行暗黑色系的重构;在碎片化的物象重叠和电影后期技术的便利下,于画面上混杂出一个再无华夏文化标志的“西游”仿像。
Spring Festival this year, the file “Journey to the West, Fu Yao Pian” continuation of Chinese costumes in recent years, the production of fantasy films to the Ming Dynasty novel “Journey to the West” as the framework for the characters to rely on the triple adaptation to reproduce: with “love can not” The subject contradictions replace the original religious conflict and emotional logic; use technology-leading computer CG image to reconstruct the main characters in dark-black style; on the screen are mixed with fragmented image overlap and movie post-production technology A no more Chinese culture logo “Journey ” imitation.