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UED:您觉得“美术馆”建筑应该是什么样的?王璜生(以下简称王):美术馆应该在对公众、对社会方面是一个很轻松、很能够跟公众交流的场所。这个交流可以通过展览、公共活动,包括讲座等,通过书店、礼品店,通过一些公共空间公共可以来参与,包括美术馆可以有花园,有一些别致的空间,公众可以在里面感受到一种独特的东西。从文化交流的角度和公共服务方面是这样的。从另一个方面来说,美术馆其实是一个区域的艺术文化标杆,或者是一个能够体现一个区域的一种当下文化发展的一个高点的一种标志性的东西,它从它的建筑到它的自身的一种学术建设、学术贡献,包括它所策划的有针对性、有冲击力的这个展览,然后包括它的研究,它对区域文化的保护、研究等的东西,还有就是它的一些围绕这种学术建设,比如出版、编辑,流传下来的一些对学术具有贡献的一些东西。我个人理解是从这两个方面说,美术馆应该是这样的一个场所。
UED: What do you think of the “Art Museum” building? Wang Huangsheng: The Art Museum should be a place that is easily accessible to the general public and to the community. This exchange can be made public through exhibitions, public events, lectures, etc., through bookstores, gift shops, public spaces, including art galleries with gardens and chic spaces where the public can feel a unique s things. This is the case in terms of cultural exchange and public services. On the other hand, an art gallery is actually a regional art and culture benchmark or an iconic thing that reflects a high point in an area’s current cultural development from its construction to its Its own academic construction, its academic contribution, including its targeted and influential exhibition, and then its research, its protection of the regional culture, its research, and so on, and its Something that has contributed to academics around this kind of academic construction, such as publishing, editing, and circulating. My personal understanding is that from these two aspects, art galleries should be such a place.