在书法理论整体处于沉寂状态的20世纪中叶(40至60年代),沈尹默先生结合自己的创作实践,写出并发表了一系列旨在引导人们学好书法的理论文字。这些文字,后来又被人们相继辑编为《书法论丛》、《沈尹默论书丛稿》和《沈尹默论艺》等出版物[1],再次得到广泛传播。平心而论,读这些文字很轻松,因为它是通俗的、普及的,理论色彩并不强烈。然而,正是这些文字,为我们留下了一串 In the middle of the 20th century (from the 40s to the 60s of the 20th century) when the calligraphy theory was in a silent state as a whole, Mr. Shen Yinmo wrote and published a series of theoretical texts aimed at guiding people to learn calligraphy in combination with his own creative practice. These texts were later edited by people into series of publications such as “Calligraphy Collection”, “Shen Yinmeng Lun Shu Cong Shu” and “Shen Yinmo Lun Yi” [1], which were widely spread again. In all fairness, reading these words is easy, because it is popular, popular, theoretical color is not strong. However, it is these words that leave us a string