自从西方绘画透视学传入中国,中国美术界便提出中国传统绘画是以“散点透视”方法构成的理论,以提高其“科学”成分来与西方绘画比肩。从此,“散点透视”就成为中国传统绘画“科学性”的理论依据。从“散点透视”字面上看,它包含了两层含义,一、中国传统绘画与西方传统写实绘画一样,是建立在透视的框架之中:二、其透视特征不同于西方传统写实绘画使用的定点透视,而是以散点透视的方法建立画面构图。然而,在对中西传统绘画比较研究中显示,在中国传统绘画的形式构成中既找不到产生散点透视的视点(散开的点),也找不到体现 Since the introduction of western painting perspective into China, Chinese art circles have proposed that Chinese traditional painting is based on the theory of “scattered perspective” to enhance its “science ” component to the western painting. Since then, “scattered perspective” has become the theoretical basis of traditional Chinese painting “scientific ”. From the perspective of scattered perspective, it contains two meanings. First, traditional Chinese painting, like western traditional realistic painting, is based on the perspective of perspective: Second, its perspective features are different from those of Western traditional realism Drawing perspective of the use of fixed-point perspective, but scattered perspective to establish the composition of the screen. However, a comparative study of traditional Chinese and Western paintings shows that in the traditional composition of Chinese painting, neither the point of view (a scattered point) that produces scattered perspectives nor the manifestation