综观现代女性散文三十年的创作实践 ,其文体意识和表现技法大致经历了一个由不自觉到逐步自觉的发展进程。“五四”时期的女性散文重在宣泄暂时性的个人情绪、实录个体的生活经历 ,艺术上缺少自觉的建构和锤炼 ,往往任心而写 ,使得作品在保持了“原始之美”的同时又显露出女作家对文体认识的淡薄和偏颇。进入三十年代以后 ,随着文坛整体创作风格的变化 ,女作家的写作视野逐步开阔 ,她们认识到散文的政治功能和文化功能 ,并有意识建构一定的艺术价值尺度 ,对散文创作中的题材选取、文本结构、语言方式等文体诸方面问题进行了积极而有益的探索 ,从而使散文写作进入了较为自觉的艺术创作阶段。本文通过考察现代女性散文创作中文体意识和表现方式的变化 ,揭示这一自觉进程的发展脉络 ,并探讨其间的文学经验 Looking at the creative practice of modern women’s prose for thirty years, their stylistic awareness and performance techniques have generally undergone a process of development from unconsciousness to gradual and conscious development. The female essays during the May 4th Movement focused on catching the temporary personal emotions, recording the individual life experiences, lacking conscious construction and tempering in art, and often writing with heart and mind, making the works maintain the “original beauty” Revealed the female writers to understand the style of light and biased. After the thirties, with the change of literary style, the female writers’ vision of writing gradually broadened. They realized the political functions and cultural functions of prose and consciously constructed certain standards of artistic value, , Text structure, language style and other stylistic aspects of the positive and useful exploration, so that prose writing into a more conscious stage of art creation. By examining the changes of stylistic awareness and expression styles in modern women’s essay writing, this article reveals the development context of this conscious process and explores the literary experience