小说中男女两性角色的塑造一直都是颇具魅力的话题,它不仅关乎创作技巧,更是性别观念的外化。上世纪末的女性小说提供了许多带有强烈自传性质的颠覆性文本,其中的男女角色立场鲜明、水火不容。然而,这种基于性别对抗的两性角色塑造,在新世纪的女性小说创作中已并非主流,大多数女性小说中的男女角色开始回应性别诗学的呼唤。一、女性形象:“地母”和“美杜莎”之间的摇摆在新世纪长篇女性小说中,具有鲜明自传风格的 The shaping of the male and female roles in the novel has always been a fascinating topic. It is not only about creative skills but also the externalization of the concept of gender. Female novels at the end of the last century provided many disruptive texts with a strong autobiographical character, in which the roles of men and women were clear-cut and precarious. However, the formation of gender roles based on gender antagonism has not been the mainstream in the creation of female novels in the new century. The roles of men and women in most female novels begin to respond to the call of gender poetics. First, the female image: “ground mother ” and “Medusa ” swing between novel women’s novel in the new century, with a clear style of autobiography