《野景偶拾》这篇散文,虽说仅有一千二百多字,但饱览之后,一派恬静清新、朴实无华并充满生机的山村秋景恰如名人的一张小水墨画呈现在读者眼前。其造诣达到了“文章得其微,物象由我裁”的境界。纵观《野景偶拾》,其立意确实是深奥精微的,此文发表于1979年,当时正是党的十一届三中全会开过不久,粉碎“四人帮”也将近三年了。阴霾遮日,河山失色的岁月已经过去,随之而来的是一个生机盎然的光辉世界。太行山区,漳河岸边的山乡也因此发生了可喜的变化。《野景偶拾》的作者用自己的眼睛去观察,在别人司空见惯的东西上提炼出具有历史特征和时代精神的新意——饱含深 Although the essay of “The Scene of the Scenery” was only about 1,200 words, after the visit, a quiet, fresh, unpretentious and full of vitality, a small ink painting of a celebrity’s autumn landscape appeared before the readers. Its accomplishments have reached the realm of “The article has been slightly reduced and the object image has been rejected by me.” Looking at the “Autumn Scenery”, its conception is indeed esoteric and subtle. This article was published in 1979. It was at the time when the Third Plenary Session of the 11th Party Central Committee was held. The “Gang of Four” was also nearly three years old. The days when the haze overshadowed the sun and the rivers and mountains were overshadowed, followed by a vibrant and glorious world. In the Taihang Mountains, the mountainous township on the banks of the Wei River has also undergone gratifying changes. The author of “The Scenery” picks up with his own eyes and refines the new ideas with historical features and the spirit of the times on what is commonly seen in other people.