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本刊近几年先后以《关于戏剧观念的讨论》《话剧十年》等为题,特辟专栏,以供戏剧理论探讨之用。新年伊始,我们以“话剧的今天与明天”为题推出本刊今年的理论栏目。用这个题目作为理论栏目,用意有三:一是不以回瞻过去为重点,意在立足现在,展望未来:二是无论今天还是明天都运行着理论与实践的双轨,希望本栏文章从实践上升到理论,同时用理论观照实践,切买做到理论与实践相结合;三是这个栏题内涵较广,所刊文章,既可互不相干,各定各的题,各做各的文,无妨兼收并蓄,也可就某一问题展开热烈讨论。这也许是我们的一厢情愿,唯求群贤毕至,不吝赐稿。
In recent years, we have “columns on the concept of drama,” “Ten Years of Play” as the title, special provision of special columns for drama theory to explore. At the beginning of the new year, we launch this year’s theoretical column with the title of “drama today and tomorrow.” With this subject as a theoretical part, there are three main intentions: one is not focused on looking back and looking forward to the future; the other is that both today and tomorrow run the dual track of theory and practice, and I hope this article will rise from practice To the theory, at the same time with the theory of practice, cut to buy to do the combination of theory and practice; Third, this column has a broader connotation, articles published, both unrelated, each set of questions, It may be eclectic, but also on a certain issue to start a lively discussion. This may be our wishful thinking, the only group Xianxian Bi, generous contribution.