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本文提出符号“时空体”的观念,试图以符号学作为联结,将空间批评中“时间性”与“空间性”的分割关系进行整合。本文通过对美国原住民女性作家戴安娜·葛兰西的小说《石头心:莎卡嘉薇雅》的解读,从小说的平行叙述入手,检视其间构筑的两个“时空体”中的符号化方式及其文化意涵之差别,呈现出符号以及由符号构成的叙述在时空体中确立不同的时间性与空间性的过程,从而为符号学理论视阈中的文学批评提供新的路径。
This paper proposes the notion of “space-time body” and tries to use semiotics as a link to integrate the segmentation of “space ” and “space ” in space criticism. This article starts with the parallel narration of the novel by reading the novel “Stony Heart: Sarkar Veya” by American Native American writer Diana Gramsci, examining the two “space-time bodies” The differences between the symbolic ways and their cultural meanings show that the symbols and the narratives formed by symbols establish different temporality and spatiality in the space-time body and thus provide a new path for literary criticism in the visual threshold of semiotic theory .