良渚文化器物上面的刻划符号,早已引起学术界的重视,很多学者推测应与文字起源有关。前些时候,我曾写过几篇小文,讨论良渚文化玉器的刻划符号①,谈到它们和大汶口文化晚期陶器的刻划符号多相共通,这不能视为偶然,最合理的解释是它们属于原始文字。文中还企图用和甲骨金文比较的方法,对符号进行释读。最近又看到若干良渚文化玉器、陶器符号的新材料,更感到对这一类符号深入探讨实为必要。对惠予帮助的浙江等方面友人,在此谨表谢意。 The sculptural symbols on the Liangzhu culture artifacts have drawn the attention of academics. Many scholars speculate that the origin of the text should be related to it. Earlier, I had written several small essays to discuss the symbols of the Liangzhu culture jade (1). When it comes to their commonalities with the calligraphic symbols of the late Dawenkou culture, this can not be regarded as accidental and most reasonable The explanation is that they belong to the original text. The article also attempts to use and Oracle compared to the method of interpretation of symbols. Recently, I have seen a number of new materials of Liangzhu culture jade and pottery symbols more felt that it is really necessary for this type of symbol to be discussed in depth. We are grateful to all the friends of Zhejiang who have benefited from this assistance.