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1《旷野黄花》以黄盛萱、黄朝勋、黄腾这祖孙三代在不同时代里三种不同的自由主义精神状态为潜在的叙事中心,呈现出一种拱门式的结构:黄盛萱的退守——黄朝勋的边缘化、黄朝劢的回归——黄腾最后的悔悟。可以说,黄盛萱有着自由主义最本能的、最初始状态的体现,表现为他固守的生命底色“静宁”;黄朝勋是在经过东西方文化的熏陶后真正地主动去追求自由,他在信泉成了“边缘人”;而黄腾身上,则是自由主义之光的最终熄灭。
1 “Yellow Flowers in the Desert” With Huang Shengxuan, Huang Chaoxun and Huang Teng three different generations of liberal mentality in different periods as potential narrative centers, showing an arched structure: the retreat of Huang Shengxuan Marginalization, the Return of the Huang-zi-mai - Huang Teng’s Last Repentance. It can be said that Huang Shengxuan has the most instinctive and embodiment of the initial state of liberalism, manifested as his clinging to the background of life “Jingning”; Huang Chaoxun really after the Eastern and Western cultures influenced by the pursuit of freedom, he In the letter spring became “marginal man ”; and Huang Teng body, it is the ultimate extinguishment of the light of liberalism.