中国人说:大味至淡。或许是发现淡中有大味的舌头越来越少,或许是能在淡中烩出大味的人越来越少。小说的情况,也是这样,读者口味越来越重,或许是因为小说家笔下的清淡故事变得越来越没有味道。在这样一种情形下,欧阳黔森的短篇小说《远方月皎洁》,就显得别致了,它又让我想起了“大味至淡”。这篇小说中的故事,没有任何哗 Chinese say: big taste light. Perhaps there is less and less tongue found in the light, perhaps less and less braised in the light in the light of the people. The same is true of fiction, as readers’ tastes are heavier and heavier, perhaps because the light tales of fiction writers become less and less flavorless. Under such a circumstance, Ouyang Qiansen’s short story “Moonlight in the Distance” is chic. It reminds me of “Dazhong Daguai”. The story in this novel, there is no wow