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今天看来,自80年代初才在中国艺术界初始的当代化思潮,对今天乃至未来的视觉艺术走向所产生的影响都是深远、不可回避的。这不仅表现在油画、雕塑领域的变革,在传统的中国画领域,也同样兴起了对水墨当代化的探索思潮,并且呈现了后继有序的局面。中国当代艺术在80年代短暂地进入艺术殿堂(中国美术馆)之后迅速转入地下,又在90年代商业化的不断冲撞和发掘中,日渐回归主流艺术世界。之所以在这个名为“当代水墨的坚守与开拓”的专题中提及于此,是因为我们看到,水墨这一媒材的语言变革,正是伴随着这一
Today it seems that the initial trend of contemporary thought that was only started in the early 1980s in the Chinese art world has far-reaching and unavoidable impact on the direction of visual art today and in the future. This is not only reflected in the changes in the fields of oil painting and sculpture, but also explored the trend of contemporary ink-wash in the field of traditional Chinese painting and presented an orderly and orderly situation. Chinese contemporary art quickly entered the underground after it briefly entered the art gallery (China Art Museum) in the 1980s and gradually returned to the mainstream art world in the midst of continuous commercialization and excavation in the 1990s. The reason why we refer to this topic entitled “Insistence and Opening-up of Contemporary Ink and Wash” is that we have seen that the language change of the medium of ink and wash is accompanied by this