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笔者通过多年工作实践,对“传统民间舞的现代式继承和发展”的课题提出了自己的观点和看法。本文从“传”与“创”的辩证统一、寻找民族舞蹈之内核、传统舞蹈的现代化三个方面对此进行了论述。
Through many years of practice, the author put forward his own views and opinions on the subject of “the modern inheritance and development of traditional folk dance.” This article discusses the dialectical unification of “Biography ” and “Creation ”, searching for the core of national dance and the modernization of traditional dance.