清代末年,出现了一大批弹词作品,这些作品的著者大多为女性,像陶贞怀的《天雨花》、陈端生的《再生缘》、邱心如的《笔生花》、程蕙英的《凤双飞》等,均为鸿篇巨制,流传颇广,却每每为文学史家们所忽视。本文仅想谈谈邱心如的《笔生花》,冀为引玉之砖。邱心如约生活于道光、咸丰年间,江苏淮阴人, In the late Qing dynasty, a large number of storytelling works appeared. Most of the works were written by women, such as “Tao Yu Hua” by Tao Zhen-huai, “Regeneration Margin” by Chen Tiansheng, “Penshenghua” by Qiu Xinru and “ Both are masterpieces, widespread, but often ignored by literary historians. This article only to talk about Qiu Xinru’s ”pen flower", Hebei as the lead of the brick. Qiu heart such as living in Daoguang, Xianfeng years, Huaiyin, Jiangsu,