我认为《小街》的原电影文学本篇幅短、人物少,情节单纯,朴素而又寓有诗意。而摄制定稿本和据以拍摄完成的影片,在有些地方却过于人为地把篇幅拉长了;尤其表现在最后设计的三种结尾,背离了人物性格、命运的发展,破坏了原剧作精巧、洗炼、独特的艺术风格,使原来那种虚实结合、既带有浓重的浪漫色彩而又不失现实主义的戏剧氛围顿时消失了。是的,对影片创作者来说,在艺术上不甘平庸,敢于在电影美学上作些新的探索,这是无可非议的。但文艺作品,总应该着力写人,写人的性格和人的命运,讲究艺术风格的和谐、统一。而现在影片的三个结尾处理,恰恰表现出它完全离开了人 In my opinion, the original movie of “Little Street” has short length, few characters, simple plot, simple but poetic style. The filming of the final version and the filming of the filming were, in some places, artificially prolonged. In particular, the three endings of the final design deviated from the character and fate of the characters and damaged the original playfulness , Wash, unique artistic style, so that the original combination of the actual situation, both with a strong romantic atmosphere without losing the realism of the dramatic atmosphere suddenly disappeared. Yes, it is beyond reproach to the film creators that they are unwilling to be mediocre in art and daring to make new explorations in film aesthetics. However, literary and artistic works should always focus on writing and writing people’s character and people’s fate, paying attention to the harmony and unity of artistic style. And now the film’s three end dealings, it just shows that it completely left the people