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西和七夕风俗是第一个在我国国家层面上受到保护的非物质文化遗产项目。西和的七夕风俗及乞巧歌,作为“秦风”的遗响,在继西周和秦之后陇南地区被边缘化的封闭社会环境中,经历了两三千年的历史途程,能以比较完整的形态传承延续至今,意义非凡。七夕节与春节、清明节、端午节、中秋节等全民节日不同,在其初期或原初的意义上,其参与主体是未婚的少女,在其后的发展中,逐渐把少妇这个群体囊括进来。节俗的内涵,主要是在“迎巧”、“祭巧”、“拜巧”、“娱巧”、“卜巧”、“送巧”六个环节组成的祭拜巧娘娘的仪式上,吟唱各种社会内容的乞巧歌。乞巧歌是社会历史和少女群体民俗的重要载体,乞巧歌是依附于七夕这一特定节候而产生和咏唱妇女的社会心理诉求的口头文学。故而,七夕节是名副其实的中国女儿节。乞巧节文化内涵的核心是“乞巧”和“巧”。“巧”是妇女对人生的憧憬,是他们现实生活的需要,是他们改变悲苦命运的法宝。
West and Tanabata Customs are the first intangible cultural heritage projects to be protected at the national level in our country. In the closed social environment where the Longnan area was marginalized in the Western Hemisphere after the Western Zhou dynasty and Qin Dynasty, as the legacy of “Qin Feng”, the customs of the Western Qi Dynasty and Qi Qiaogeng went through the course of two or three thousand years and could be relatively complete Form of inheritance continues today, extraordinary significance. Tanabata Festival and the Spring Festival, the Ching Ming Festival, Dragon Boat Festival, Mid-Autumn Festival and other national holidays are different, in its initial or original meaning, the participant is the unmarried girl, in the subsequent development, and gradually include this group of young women come in. The custom of the festival is mainly in the following aspects: “Welcome Qiao”, “Sacrifice”, “Qiao Qiao”, “Qiao Qiao”, “Qiao Qiao”, “Qiao Qiao” A link composed of worship clever bride’s ceremony, chanting a variety of social content Qi Qiao song. Qi Qiao Song is an important carrier of social history and the folklore of the girl community. Qi Qiao Song is a verbal literature which is attached to Tanabata this particular age and generates and chants women’s social psychological demands. Therefore, the Tanabata Festival is a veritable Chinese daughter’s day. Qi Qiao Festival cultural connotation of the core is “Qi Qiao ” and “Qiao ”. Women are the vision of life, the need of their real life and the magic weapon of changing their fate.