我要说,《新作文》是大胆的。在最初的时候,拿到陌生的《新作文》,我就被编辑的大胆吸引了。开始的印象是,这本杂志所刊发的作品很不一般,剔除了传统作文杂志固定的叙述风格。但,其又有着统一的脉搏,那就是自由作文,放胆作文。我在书摊上众多的杂志中看到这样一本风格卓异的刊物,真是激动不已,当即买了一本。晚上回来狠狠地读上面的文章,带着阅读的兴奋,我把刚刚写好不久的《遗落在城市的第一声蝉鸣》装进信封寄走了。而让我不敢相信的是,两个月后,我收到了杂志社给我寄来的样刊,原来这首诗被发表了。那是2002年10月,深秋的阳光照得我别样的暖。 I want to say that “New Composition” is bold. At the very beginning, when I got a strange “New Composition,” I was daringly attracted by the editors. The initial impression was that the work published in this magazine was very unusual, excluding the fixed narrative style of traditional composition magazines. However, it has a unified pulse, that is, freelance writing and bold writing. I was so thrilled to see such a very different publication in many magazines on book stalls. I bought one at a time. I came back to read the above article in the evening and read with excitement. I put the “Cry of the First Lost in the City” written just recently and put it in an envelope. What I can’t believe is that two months later, I received a sample magazine from the magazine. The original poem was published. It was October 2002. The late autumn sun shined on my warmth.