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时人常以唐孙过庭《书谱》和清康有为《广艺舟双楫》为中国古代书法理论的“双璧”。康有为对于书法理论的贡献,不仅在于从传统书学阵营的内部提出了“尊碑”、“卑唐”等理论并把晚清“碑学”运动推上了一个新的高峰,更重要的是,他以《广艺舟双楫》所建构的书法理论体系,开创了近代西学意义上书法理论的新的篇章,推动了书法学科向着主流学术的发展与对话,并对此后整个20世纪的中国书法理论研究产生了深远的影响。康氏不仅是近代书论的集大成者,也成为现代中国书法学术史一个重要的逻辑起点。
When people often Tang and Tang court “book” and Qing Kang promising “wide art boat double 楫” ancient Chinese calligraphy theory “double wall ”. Kang Youwei’s contributions to the theory of calligraphy lie not only in putting forward the theory of “respect monument” and “humble biography” from the inside of the traditional book study camp and put the movement of late Ming More importantly, he created a new chapter in calligraphy theory in the modern western sense by using the calligraphic theory system constructed by “Guang Yi Zhou Shuang 楫”, and promoted the development and dialogue of calligraphy discipline toward mainstream academic. Since then the entire 20th century Chinese calligraphy theory has had a profound impact. Kang is not only a master of modern book theory, but also an important logical starting point of the academic history of modern Chinese calligraphy.