在师恩钊的山水世界里,峰峦繁复,烟云变幻,或雄奇,或苍远,或幽深,或空灵,每一景,每一境,都不是某一自然景观的简单再现,我们可以在他那谨严的笔墨塑造中领略到一种真实的山水存在。师恩钊的山水画是在静观自然的基础上,以娴熟的笔墨技法,阐释自己对自然生命的一种感悟;是由客观观照走向主观体验的一种必然结果;是源于自然,高于自然的审美升华。作品中超越了山水云树的具体形貌,把握住自然山川的生命本质,在“山川与予神遇而迹化”的体验中,通过笔墨与景物的对应而抒发对于大自然的 In the enchanting world of Shienzhao, the complexity of peaks and ridges, the change of clouds of smoke, or the magnificence, or the loneliness, or deepness, or etherealness, every scene and every scene are not simple renditions of a certain natural landscape. In his cautious brushstrokes, he realized the existence of a real landscape. On the basis of contemplation of nature, Engel’s landscape painting expresses his sentiment towards the natural life with skillful brushwork and writing. It is a necessary consequence of moving from the objective viewpoint to the subjective experience. It is the result of nature, above nature Aesthetic sublimation. In his works, he surpassed the concrete appearance of landscapes and clouds and grasped the nature of life of natural mountains and rivers. In the experience of “mountains and rivers and traces of divinity”, through the correspondence of pen and ink and scenery,