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记不起哪年哪月何时何地,哪位文豪笔底的生灵曾经高声吟诵:“生存还是毁灭,这是一个值得考虑的问题.”当川剧艺术徘徊于低谷,成百上千的行家里手志士仁人苦苦探寻其出路之时,无数的川剧团体努力拼搏,在困境中求生存、求发展,给川剧事业带来了新的生机.洪雅县川剧团近年来所做出的努力,给我们留下了深刻的印象. 洪雅县川剧团建于1957年,系集体所有制文艺团体.文革中曾一度撤销,饱经风霜,“大难不死”,1978年重建.重建后的剧团坚持文艺为社会主义服务,为人民服务的方向,多方挖掘、改编、上演了《御河桥》、《李亚仙》、《王熙凤》、《汉宫怨》、《荷珠配》等20余部优秀传统剧目和数十出折子戏.同时,还组织人力创作了《武则天》、《将军庙传奇》、《颂洪雅》等古装剧、现代戏剧目.在该团历年来所上演剧目中这些戏共演出462场,观众达16万余人次,收到了一定的社会
Which time of the year can not remember what time and place, which literary writer bottoming once chanted: “survival or destruction, this is a question worth considering.” When Sichuan Opera hovering in the trough, hundreds of Of the experts in the hands of Cheshoren benevolent people to explore their way out, countless Sichuan Opera groups work hard to survive in the plight of seeking development, Sichuan opera to bring a new vitality. Hongya County Sichuan Opera Troupe was founded in 1957 as a collective-owned cultural and arts group. It was once withdrawn by the Cultural Revolution and was weather-beaten and rebuilt in 1978. After the reconstruction The troupe insisted that literature and art serve socialism and serve the people, digging, reorganizing and staging more than 20 excellent works such as “Yuheqiao”, “Li Yaxian”, “Wang Xifeng”, “Han Gongzheng” Traditional repertoire and dozens of exhumations, while also organizing manpower to create costume drama, such as “Empress Wu Temple”, “Legend of the General Temple”, “Song Hongya” and other modern drama repertoire. 462 performances, the audience of 160,000 Passengers, received a certain social