在书法界,当人们热衷于追摹二王,学王铎、张瑞图、黄道周之时,吕金光却将目光投向了具有“新理异态”的倪元璐草书。他的这种不追随时风的取法方式,在追风逐潮大行于世的“展厅文化”时代,反倒使得他的书法颇具一种遗世独立的品格。 In the world of calligraphy, when people are passionate about tracing the Two Kings, learning Wang Duo, Zhang Ruitu, and the ecliptic zodiac, Lvjin Guang turns his attention to Ni Yuanlu’s cursive book with “neologism.” His method of following the trend of the times did not make his calligraphy quite an independent and independent character in the era of “exhibition hall culture” where the pursuit of the wind and the ups and downs of the world emerged.