要探讨一个问题的可能性,一定是它的自身发展受到了这样那样的一些质疑。是的,早在上世纪80年代就有批评家提出“中国画穷途末路”的说法。按其说法,中国画的历史实际上是一部在技术处理上(追求“意境”所采用的形式化的艺术手段)不断完善,而在绘画观念(审美经验)上不断缩小的历史。当然, The possibility of exploring a question must have been questioned somehow in its own development. Yes, as early as the 1980s, critics have put forward the idea that “Chinese painting will end in a dead end.” According to its theory, the history of Chinese painting is actually a history of continuous improvement in the technical treatment (the pursuit of “artistic conception” adopted by formal means of art), while in the concept of painting (aesthetic experience) is shrinking. of course,